10 Designers on 10 Iconic Dieter Rams Designs The New York Times
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Coast and Valley co-founders Stephanie Watanabe and Eric Hsu go a step further. “There’s an aspect of connection, of community, of feeling uplifted, that carries through in the design,” Watanabe says. She’s especially proud of a communal table, inspired by the one at Nopa in San Francisco, where strangers become tablemates and occasionally new friends. For 60 years we have stood up to a world that deliberately designs products to have a limited useful life. He drew attention to an “increasing and irreversible shortage of natural resources”. Believing that good design can only come from an understanding of people, Rams asked designers – indeed, everyone – to take more responsibility for the state of the world around them.
Honest pricing
Artists and designers all around the globe follow his 10 Principles of Good Design, which continue to inspire a whole generation even today. Sir Terence Conran has had more impact than any other designer of his generation on everyday life in contemporary Britain though a series of parallel careers. Dimes in New York has inspired countless odes to its playful California vibe — only, restaurant co-founders Alissa Wagner and Sabrina De Sousa hail from New Jersey, and they don’t claim California as inspiration. At the same time, the restaurant Sunday in Brooklyn looks more typical of Santa Monica than its own New York borough. The modern revolution began to take shape in 2011, less than a year after Instagram launched.
Legacy and Influence
Marking the development of high fidelity – or hi-fi – technology, the black bases made audio units look denser and more compact thereby illustrating their technical strength. Rams was also able to seal the units with unobtrusive elongated and rounded aluminium strips, rather than screws. He then enlarged the knobs and switches of the units to suit the darker palette.
Iconic Projects: Masterpieces of Design
Like many other Dieter Rams products, the pocket-sized radio was well ahead of its time. Today you may recognize from your phone – the design of ET66 was the influence behind iPhone’s digital calculator. The radio-phonograph created in 1956 was one of his most iconic works for Braun, which secured the company’s success. His sculptural timelessness and minimalism were something unseen in the mass-production world.
Vintage 1970s American Space Age Desks and Writing Tables
The case simply couldn’t be more elemental–no lugs, no bezel, just a smooth, evenly brushed cylinder punctuated only by an undersized pillbox crown at 3. Far from being uninteresting, though, its simplicity is starkly beautiful. The overall form takes the fore here, as opposed to hiding behind extraneous detail.
Inside the Definitive Guide to Braun Design - Esquire UK
Inside the Definitive Guide to Braun Design.
Posted: Mon, 20 Nov 2023 08:00:00 GMT [source]
Umbrella – to those that focus solely on the design or on features no one really needs. We should think about our must-have items here and be careful about introducing “delighters” unless we’re sure that they are both innovative and serve a purpose for our users. Let’s pay a virtual visit to a famous industrial designer’s workshop.
Why Vitsœ?
Among the most important technical advances in consumer electronics during the 1960s was the development of new transistor technologies. For the first time Rams could design a complete set of modular components, including the L45 speaker and TG60 tape recorder. All the units, except the record player, could be displayed horizontally and vertically or wall-mounted. BraunFounded in Frankfurt in 1921 by the engineer Max Braun, the company had soon gained a sound reputation for engineering and for developing new products, including electric shavers, kitchen utensils and the first combined radio and record player. After Max’s death in 1951, his sons Artur and Erwin Braun took charge and repositioned Braun to benefit from the expansion of the post-war consumer electronics market. It was a time of rapid technological change when manufacturers were harnessing the engineering advances made in the defence industry during World War II to develop new electronic products for consumers.
Over the last few years, California, and not just LA, has begun to set the national culinary tone. Los Angeles is influential in a way it hasn’t been since the 1980s, with Japanese, Mexican, French, Middle Eastern, and Italian restaurants all gaining due recognition for their impact on dining trends there and across the country. The city and the state are poised to establish a new, lasting legacy as one of America’s culinary destinations. California-style restaurants can help or hurt that effort, not only in the ways they represent California in their food, but by how they present it in their dining rooms.
He was strongly influenced by the presence of his grandfather who was a carpenter. Rams’s early awards for carpentry led to him training as an architect as Germany was rebuilt in the early 1950s. Rams championed clean and straightforward designs, believing that less is more. A good design should be neutral to allow the user's self-expression.
“You’ve got wipeable surfaces, sturdy ceramic dinner plates, succulents on the table that don’t require a lot,” says design historian Maile Pingel. At the same time, they can obfuscate the sticker shock of $25 grain bowls with an aura of escapism and refined minimalism, arguably more essential than ever to avoid the ire of today’s news cycle. Soon the trend spread beyond the state’s borders and across the internet. Watanabe sees it all the time on design blogs, on Remodelista, and in Architectural Digest, but she doesn’t believe it’s necessarily representative of California; online, it looks more like a fashionable any-place. Pastel tableware mirrors sun-bleached SoCal but also acts as a neutral backdrop for Instagram food pics. Exposed rafters evoke Malibu ranch homes but could just as easily reference other trendy getaways, like a Tuscan villa or South African winery.
Wu-Bower opted for philodendrons, ficuses, and monsteras, all native to warm climates, if not California specifically. Design director Danu Kennedy points out subtler touches, like beamed ceilings and plaster walls to evoke a 1970s Malibu ranch home, as well as breeze blocks that recall Palm Springs hotels of the same era. His emphasis on sustainable, user-centric design has become a guiding principle for designers worldwide. His legacy persists in the quest for functional, aesthetically pleasing, and enduring products. And, last but not least, good design is as little design as possible. Yes, we’re designing for the digital realm, so we have a challenge that mechanical products didn’t.
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